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Designing for and with Ambiguity: Actualising Democratic Processes in Participatory Design Practices with Children

Annelies Vaneycken, design, Högskolan för konst och design

Åsa Ståhl, universitetslektor, Institutionen för design, Linnéuniversitetet

Anna Seravalli, universitetslektor, Institutionen för konst, kultur och kommunikation (K3), Malmö universitet
Jeanette Sundhall, universitetslektor, Institutionen för kulturvetenskaper, Göteborgs universitet
Arne-Kjell Vikhagen, universitetslektor, HDK-Valand– Högskolan för konst och design, Göteborgs universitet

Elena Raviola, professor i design, HDK-Valand

Tid och plats
Måndag 8 juni 2020 13:00 i Aulan/Konstbiblioteket, HDK-Valand, Kristinelundsgatan 6-8, Göteborg (disputationen genomförs via Zoom, anmäl via länk HÄR)

In the last thirty years, there has been an increased interest in supporting children ’s participation in society, where the results of these practices may or may not have contributed to more democratic outcomes. In this thesis, I focus on the democratic character and potential of the processes driving such practices, and their outcomes, which, to date, have mostly been overlooked. My inquiry is situated within the context of participatory design with children and explores how adult-initiated practices that work on children ’s participation in society, can, in addition to producing a democratic outcome only, also be actualised as a democratic process. Here, a democratic process is understood as a process based on child–adult interactions that respect  fundamental democratic values such as freedom, equality, and justice.
   My design practice, in this case, the Public Play project, formed the core of my fieldwork and empirical material. Public Play was a series of five participatory design workshops where groups of children and I worked together on children ’s participation in public space in Belgium and Sweden. A new research approach: research through design interventions was developed and used for the exploring of “openness” (Eco, 1989[1962]) as well as the study of its effects by analysing some key workshop situations through a theoretical framework drawn from Gaver et al. (2003).
   The thesis foregrounds how ambiguity — the quality of being open to the simultaneous coexistence of several meanings — can be a resource for the actualising of a pluralistic democratic process. Exploring ambiguity revealed both the adult designer and the child participants being enabled to express their meanings when defining the content, roles, and agenda of the process, and that the actualising of a democratic process also requires certain ways of negotiating and fulfilling responsibilities. The thesis also highlights the particip-actor role the children can play, as well as new roles for the facilitator when designing for and with ambiguity. Through my inquiry, an ambiguity approach comes into being, which helps designers work with ambiguity in a more controlled way, as well as providing them with a strategic framework informed by learning-by-doing, learning-over-time, and learning-from-peers.

Key Words
Ambiguity, participatory design,children’s participation, democracy, child–adult relationships

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Sidansvarig: Konstnärliga fakultetskansliet|Sidan uppdaterades: 2020-06-02

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