Till startsida
To content Read more about how we use cookies on gu.se

Composition, The garden - of forking paths


Anders Hultqvist


Komposition, Trädgården – som förgrenar sig - Några ingångar till en kompositorisk praktik

English title: Composition, The garden - of forking paths - A few tracks towards a compositional practise

Musicology, konstnärlig/kreativ inriktning, Department of Cultural Sciences, Gothenburg University, in collaboration with Academy of Music and Drama, 2013


With the compositional practise as the point of departure the text discusses different topics around musical composition and its artistic, philosophical and scientific context. Some initial explorations were carried out through the use of spectral- and fractal based techniques and experiments. One question asked during the work was if the way in which we perceive music has something to do with how we have learned to perceive specific sounds, and how this in turn connects to different general types of dynamic processes in nature? Is there a way to understand on which grounds we create, perceive and value the wholeness of larger informational structures? And if so, how can this be used as strategies for musical composition?

The text also discusses the fact that the artistic work has its ground in two different and simultaneous conceptual fields. Or rather that one field concerns itself with concepts while the other makes itself known by more or less precise emotions, hunches and subjective purposiveness, to speak with Kant. The text is searching for some clues concerning how to describe the relationship between the two forms of knowledge. Are there any subterranean connections between them, or are these two
cognitive domains totally separated?

Some fifteen compositions have been the outcome in connection to working with the above thoughts and artistic ideas. Text and music comment on each other in a way that is similar to compositional work where the source material grows out of an oscillation between structural and intuitive perspectives. An important basis for the ideas around the compositional process and its general requirements has been the poem Alfabet by the Danish writer and poet Inger Christensen.

This is thesis no 43 in the ArtMonitor dissertation series.

ISBN: 978-91-85974-19-1


The dissertation is in Swedish.

Order the book here

Buy here.


The dissertation, artist books and films are e-published in GUPEA - Gothenburg University Publications Electronic Archive. Download the dissertation here.

Page Manager: Pia Ahnlund|Last update: 2/10/2016

The University of Gothenburg uses cookies to provide you with the best possible user experience. By continuing on this website, you approve of our use of cookies.  What are cookies?